¶ … distinguishes the Renaissance from the Middle Ages lies in the sociological movements that defines each era. While there are certainly differences in almost every aspect of life - from art to theology - the two eras share common ground in that without one, there would not exist the other.
The era of feudalism that dominated the Middle Ages formed civilizations, communities and bonded like-minded families together. Territorial boundaries were drawn and each nation began creating it's own identity. Identities that were largely dependent upon location which determined agricultural capabilities, architecture, religion, and to some extent, leadership structure.
From this sense of community and working for the good of the people and the government that oversees that community, came the individuality and the humanistic values that dominated the Renaissance. With roots well-planted and generations of families growing up in the same house, in the same country, doing the same thing their forefathers had done for two centuries or more before them, a sense of stability was provided. This gave people the foothold to challenge themselves, stereotypes and the powers-that-be. The age of exploration was born.
Overall, the greatest difference between the Middle Ages and the Renaissance could be determined to be individualistic attitude. On a smaller scale, this shift had a dramatic effect on almost every aspect of life.
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These individuals promoted the belief that it was in people's best interest to concentrate on putting across thinking that reflected positively on the world and that moral thinking played an essential role in changing the way that the social order functioned. Humanist writers wanted people to learn to enjoy life's pleasures without focusing on material values. Even with the fact that Castiglione partly agree to Pico by stating that reason
Art of classical antiquity, in the ancient cultures of Greece and Rome, has been much revered, admired, and imitated. In fact, the arts of ancient Greece and Rome can be considered the first self-conscious and cohesive art movements in Europe. Style, form, execution, and media were standardized and honed to the point where aesthetic ideals were created and sustained over time. The art of classical antiquity in Greece and Rome
It involves the replacement of rule of thumb gradually with science for the mechanical arts. Mesopotamia The existence of the two rivers i.e. Euphrates and Tigris gave this name Mesopotamia which means the land between rivers to the region. Agricultural revolution was begun by the people of this region in about ten thousand years ago. They domesticated animals and plants instead of hunting and gathering as was common in the time.
They "carved" their laws "with care into walls or tablets and meant [the laws] to have a permanent presence and carry authority" (Drucker and McVarish, 2009: 34). Thus, because of the Greeks' understanding of graphic design, they were able to exert authority over their citizens. In the Middle Ages, the church, which was the primary source of learning and graphics held the same power, using graphics contained in the
Clinical Psychology Dissertation - Dream Content as a Therapeutic Approach: Ego Gratification vs. Repressed Feelings An Abstract of a Dissertation Dream Content as a Therapeutic Approach: Ego Gratification vs. Repressed Feelings This study sets out to determine how dreams can be used in a therapeutic environment to discuss feelings from a dream, and how the therapist should engage the patient to discuss them to reveal the relevance of those feelings, in their present,
Gregorian chant (plainchant) include characteristics genre, history, developed forms chant ( polyphonic Gregorian chanting), influence western music a . Use scholarly sources Gregorian chant (plainchant) The Gregorian chant is considered by experts to be part of the foundations of religious chants, dating back to the first centuries of Christianity. Despite the fact that along the time, it has known several variations and influences, it remains one of the most significant liturgical
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